Eagerly anticipating this week ... (1-25)

Eagerly anticipating this week ... (1-25)
Robert Eggers' Nosferatu (2024)

1/15/2025

If.... (1968) - Anderson's landmark provocative youth revolt picture

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Militant-looking but spiffily dressed young men against dramatic scenes inserted into the alarming nexus of a hand grenade makes up this effective poster for Lindsay Anderson's If....

We follow the strictly disciplined, odd life in a English public boarding school, where three older students resist the teachings of the institution, led by the rebel Travis.

 

If.... is written by David Sherwin (Wet Gold (1984, TV movie)), with John Howlett (Touch and Die (1992, TV movie)) contributing story elements, and co-produced and directed by great Indian-born British filmmaker Lindsay Anderson (This Sporting Life (1963)). 

The film sparkles with freshness to this day in lovely images (cinematography by Miroslav Ondrícek (Amadeus (1984))), with an abundance of funny and striking scenes. It is a powerful and provocative and violently revolutionary, subversive film. It idolizes Mick Travis, the leading character which Malcolm McDowell (Moving On (2022)) portrays with an awards-worthy turn.

SPOILER Despite the temptation to mostly shake one's head at the perverse school traditions of the English, this film presents contradicting 'heroes' that are just as, - if not a lot more, - terrible, because they arrive to the dubious conclusion that the systems faults are enough to justify shooting every one in it!

If.... may be the strongest youth revolt film of all, which however also clearly shows the wave's unsympathetic, anarchisticly violent backside. It is odd that Martin Scorsese's Taxi Driver mass murderer nearly a decade later, in another pivotal cinematic examination of violence in young males, is also named Travis. Perhaps the lack of a heroic glow around the later Travis character reflects a development towards a more critical stance in the general perception of the societal revolt, led by the young, in the intermediate years. 




 

Watch a trailer for the movie here

 

Cost: 500k $

Box office: In excess of 5.75 mil. $

= Uncertain but surely a mega-hit (projected return of 14 times its cost)

[If.... was released 19 December (UK) and runs 111 minutes. McDowell was paid 90 £ a week for his performance. Shooting took place from January - March 1968 in England, including in London. For the North American release, male nudity was cut out in order for the film to receive an R rating. Variety reported in January 1970 that the film had earned rentals of 2.3 mil. $, likely from North America alone, which suggests a gross of 5.75 mil. $. The film is described as a hit in the UK, but its actual gross and numbers from other markets are not recorded online regrettably: It didn't attract audiences in Denmark (just 825 tickets sold). A cautious projected total gross of 7 mil. $ is not unlikely. The film was nominated for 2 BAFTAs, won the Palme d'Or in Cannes and was nominated for a Golden Globe. Anderson brought McDowell's Travis character back in two later films, again portrayed by McDowell: O Lucky Man! (1973), - he only directed an episode of Play for Today (1972) in the years between, - and Britannia Hospital (1982). McDowell first returned in The Wednesday Play (1969, TV-series) and theatrically in Figures in a Landscape (1970). If.... is certified fresh at 90 % with a 7.90/10 critical average at Rotten Tomatoes.]


What do you think of If....?

1/14/2025

I Am a Fugitive from a Chain Gang (1932) - Systemic injustice bared in LeRoy's crackerjack crime drama

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A dangerous holdup in what appears a criminal underworld environment is presented on this murky poster for Mervyn LeRoy's I Am a Fugitive from a Chain Gang

After having served military duty in WWI, James Allen returns to civilian status but does not want factory work; he wants to build something new up as an engineer! But following an unfortunate arrest, he is sentenced to 10 years in a chain gang. - He manages to escape! - But his past finds him ...

 

I Am a Fugitive from a Chain Gang is written by Howard J. Green (The Millionaire (1957, TV-series)) and Brown Holmes (Castle on the Hudson (1940)), with Sheridan Gibney (The Locket (1946)) contributing uncredited work, adapting the autobiographical I Am a Fugitive from a Georgia Chain Gang! (1932) by Robert Elliott Burns, and directed by great Californian filmmaker Mervyn LeRoy (No Place to Go (1927)).

Thoroughly suspenseful, fast-paced, I Am a Fugitive from a Chain Gang relies on a thrilling story for its success. The woman, who forces a lucrative marriage through by blackmailing our protagonist, is one of the film's exciting, credibly played (by Glenda Farrell (Bonanza (1964, TV-series))), memorable characters. All of it rings 100 % true. 

SPOILER A very exciting climax ends up in a shockingly tragic, stirring ending: 'The system can crush a good man' is the icy lesson here. Paul Muni (Hudson's Bay (1940)) is beautiful and outstanding as the hero in this electrical, indignant film.

 

Related post:

 

Mervyn LeRoyThe Green Berets (1968) - Wayne's gung ho pretty picture of the Vietnam War clashes with reality (co-director)


 

Watch a trailer for the movie here

 

Cost: 228k $

Box office: 1.599 mil. $

= Huge hit (returned 7.01 times the cost)

[I Am a Fugitive from a Chain Gang premiered 9 November (Washington D.C.) and runs 93 minutes. LeRoy was paid 13.2k $ for his direction of the film. Shooting took place from July - September 1932 in California, including in Los Angeles, with stock footage of Chicago, Illinois also used. The film grossed 650k $ in North America, 40.7 % of the total gross. It was nominated for 3 Oscars, winning none: It lost Best Actor (Muni) to Charles Laughton in The Private Life of Henry VIII, Picture to Cavalcade and Sound to A Farewell to Arms. The film also won 2 National Board of Review awards. It was instrumental in the appeal and release of Burns and "several other chain gang prisoners nationwide in the U.S." in 1933. LeRoy returned with Hard to Handle (1933). Muni returned in The World Changes (1933). I Am a Fugitive from a Chain Gang is fresh at 96 % with an 8.20/10 critical average at Rotten Tomatoes.]


What do you think of I Am a Fugitive from a Chain Gang?

1/10/2025

I Married a Witch (1942) - Stars shine in Clair's bubbly screwball fantasy magic

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A sexually charged and very elegant poster for René Clair's I Married a Witch

A refined gentleman, who is poised to marry a fine woman, has his plans altered when he rescues a strange blond out of a burning hotel. This alluring female turns out to be a centuries old witch, who wants to change his life drastically!

 

I Married a Witch is written by Marc Connelly (Reunion in France (1942)) and Robert Pirosh (A Gathering of Eagles (1963)), with André Rigaud (Bright Eyes (1929)), Dalton Trumbo (Hawaii (1966)) and co-writer/producer/director, great French filmmaker René Clair (Paris Asleep/Paris qui Dort (1925)) contributing lines. It is an adaptation of The Passionate Witch (1941) by Thorne Smith (Rain in the Doorway (1933), finalized after his death by Norman H. Matson.

With a stunning visual energy (cinematography by Ted Tetzlaff (I Want a Divorce (1940))) and a splendid special effects tangent, I Married a Witch is an atypical screwball comedy that waltzes right into your heart and activates your laugh muscles. Fredric March (The Buccaneer (1938)) is a joy as usual, and he is wonderfully matched here with Veronica Lake (Isn't It Romantic (1948)), who is almost superhumanly lovely, - and a bit eerie, - as a cute housewife with allure and frighteningly huge power. A prime example of the 'monstrous female' on film.

Cecil Kellaway (Spinout (1966)) who plays Lake's father in the film is also delightful. Witty dialog, a rapidly flowing plot, and a beautifully carried out production, I Married a Witch is cheeky fun all the way. A clear favorite. 

 

Related post:

 

René ClairEntr'acte (1924, short) - Clair's creative experiment in movement




 

Watch a trailer for the film here

 

Cost: Unknown

Box office: Approximately 2.75 mil. $ (North America alone)

= Uncertain but likely a huge hit (projected return of 6.5 times its cost)

[I Married a Witch was released 30 October (North America) and runs 77 minutes. Shooting took place from April - May 1942 in Los Angeles, California. Hostilities ran between March and Lake during the shoot. Variety reported that the film earned a 1.1 mil. $ rental figure in North America, coming to approximately 2.75 mil. $ in box office. The foreign release was impeded by WWII and went slow over the next several years, likely with similarly stunted results. A 3.25 mil. $ final gross projection takes this into account, while a projected cost of 500k $ belies March, - the film's leading star's salary level of 100k $ per picture at the time. This would make the film a huge hit. It was nominated for one Oscar, for Best Music, Drama/Comedy (Roy Webb (Top Secret Affair (1957))), lost to Max Steiner for Now, Voyager. Clair returned with a segment in Forever and a Day (1943) and with an entire feature with It Happened Tomorrow (1944). March returned in The Adventures of Mark Twain (1944); Lake in Star Spangled Rhythm (1942). I Married a Witch is fresh at 96 % with a 7.50/10 critical average at Rotten Tomatoes.]

 

What do you think of I Married a Witch?

1/07/2025

Continental Divide (1981) - Unpersuasive Belushi comedy

 

Co-star John Belushi looks unwell in the embrace of beautiful co-star Blair Brown on this poster for Michael Apted's Continental Divide

Ernie is a star journalist in Chicago, where everybody knows him, but where his knack for exposing the powerful is beginning to threaten his safety. And so he gets sent to a woman who lives alone in the Rocky Mountains.

 

Continental Divide is written by Lawrence Kasdan (Mumford (1999)) and directed by Michael Apted (The Triple Echo (1972)).

Internal logic must yield to get this high-concept romcom train on the tracks: - Why does forceful Ernie go so far away, when he really doesn't want to, - for two weeks!?! His work and the totally predictable, clichéd romance are both elements that are presented stiffly, SPOILER and the ending, in which a pressured Kasdan seemingly wants to have his cake and eat it, too, has him letting the two get married, but then break up, as Ernie jumps on a train to Chicago, is really bizarre. 

It is a general flaw in Continental Divide that it tonally sits between chairs: At times an honest, romantic drama with a visual nature vs. city contrast, and at other times an over-the-top comedy vehicle for John Belushi (Neighbors (1981)). Of course the film should have been the latter thing from beginning to end. What we get is the subversive Belushi magic sterilized for 90 % of the time here in a thin cup of tea posing as a 'good time' film. 


Related post:


Michael Apted: Gorky Park (1983) - Cool Hurt investigates murders in Apted's fine Cold War Moscow thriller

 


Watch a trailer for the film here


Cost: 9 mil. $

Box office: In excess of 15.5 mil. $ (North America alone)

= Uncertain but likely a flop (projected return of 2.22 times its cost)

[Continental Divide was released 1 September (Canada) and runs 103 minutes. It was the first film made by Steven Spielberg's Amblin Entertainment. Shooting took place from October 1980 - January 1981 in Chicago, Illinois, Washington DC, Colorado, Washington, Los Angeles, California, Idaho, Michigan and Montana. Belushi reportedly was sober for the duration of the shoot but then fell back into a cocaine-driven production with his next - and last - film, Neighbors, which led up to his 1982 death from a cocaine and heroine overdose. The film opened #1 to a 3.2 mil. $ first weekend in North America, where it grossed 15.5 mil. $. Its foreign release was limited to 9 other markets, and the result may have been small. A 20 mil. $ final gross is projected, which would rank the film as a flop. It was nominated for a Golden Globe. Roger Ebert gave it a 3/4 star review, translating to 2 notches over this one. Apted returned with P'tang, Yang, Kipperbang (1982, TV movie), First Love (1982, TV-series) and theatrically with Gorky Park (1983). Belushi returned in Neighbors (1981); Blair Brown (Fringe (2008-12)) in American Playhouse (1982, TV-series), Kennedy (1983, miniseries) and theatrically in A Flash of Green (1984). Continental Divide is fresh at 73 % with a 6.20/10 average rating at Rotten Tomatoes.]


What do you think of Continental Divide?

1/01/2025

Ilsa, Harem Keeper of the Oil Sheiks (1976) - Edmonds returns with Thorne in dubious Arabia-set sequel

 

Scantily dressed young women titillate from left and right on this poster for Don Edmonds' Ilsa, Harem Keeper of the Oil Sheiks


Ilsa, the 'She Wolf of the SS' now for some reason runs a gruesome prison for women in the Arabian desert. Here degradation and sexual satisfaction is the order of the day.

 

Ilsa, Harem Keeper of the Oil Sheiks is written by Langston Stafford, a person never credited with anything else, and produced and directed by Don Edmonds (Wild Honey (1972)), who also made the popular original film which this is the first sequel to, Ilsa: She Wolf of the SS (1975).

The 'plot' here is more or less an illusion as most of the film consists of episodic scenes of sex and cruelty with commentary from two seemingly unrelated men in an airplane!?! Dyanne Thorne (Up Yours (1979)) as Ilsa is still a captivating whip artist, and the film is adorned with a hot twink slave but it also delivers several atrocities such as forced feeding, breast torture and, naturally, rape. The two ninja amazons who can rip a grown man's teeth out are strong arguments in favor of the film, it would appear. But the episodic, nonsensical structure gives Ilsa, Harem Keeper of the Oil Sheiks a long character, which is also spoiled by involving a child (a boy to be precise) in its solution, which must be considered, in the context of the film at hand, incredibly tasteless and amoral.

 

Related post:

 

Don Edmonds: Ilsa, She Wolf of the SS (1975) - Edmonds' notorious Nazisploitation sensation

 




 

Watch a clip from the movie here

 

Cost: Unknown, projected 200k $

Box office: Projected 5 mil. $

= Uncertain but projected a mega-hit (projected return of 25 times its cost)

[Ilsa, Harem Keeper of the Oil Sheiks was released in March (USA) and runs 85 minutes. Shooting took place in California. The film is listed as having been released in just 4 markets; North America, Japan, West Germany and in Denmark. In the latter, very small market, it sold an impressive 85,277 tickets, coming to approximately 640k $. It is not unlikely that the cheaply made film grossed upwards of 5 mil. $. Ilsa returned in two more films, though only the first of the two is with Thorne, and Edmonds no longer was involved. Edmonds returned with Southern Double Cross (1976). Thorne first returned in Chesty Anderson U.S. Navy (1976). 3.1k+ IMDb users have given Ilsa, Harem Keeper of the Oil Sheiks a 5.0/10 average rating.]


What do you think of Ilsa, Harem Keeper of the Oil Sheiks?

12/29/2024

In Which We Serve (1942) - Coward and Lean's marvelous Royal Navy war picture

 

A beautifully crafted poster for Noël Coward and David Lean's In Which We Serve

We follow the crew of the destroyer Torrin, which fights the Germans in 1941 as part of WWII but unfortunately suffers shipwreck. This calamity takes place in the film's beginning. After this flashbacks illuminate the captain and navy-men, their families and the time leading up to the battle. 

 

In Which We Serve is written, produced, co-directed and co-composed by debuting great English filmmaker Noël Coward (Brief Encounter (1945, writer)), who also stars in it as the captain. He co-directed it with debuting English master filmmaker David Lean (Great Expectations (1946)). The film was made with the full support of the Ministry of Information as a propaganda effort in support of the ongoing British involvement in the war.

Technically astute, In Which We Serve is a fast-paced and handsomely photographed (by Ronald Neame (The Secret Four (1939))) war drama with striking incorporation of real war images as well as of real sailors as extras. Coward acts with impressive dignity and calm, and John Mills (Deadly Advice (1994)) is also eminent. A young Richard Attenborough (Hamlet (1996)) does fine as a panic-stricken sailor. None of the other men seem to have any faults at all, which may be the only flaw to this great picture.

 

Related posts:

 

Noël CowardThe Italian Job (1969) - Braindead boilerplate heist action-comedy regurgitated by swinging London (co-star) 

David LeanTop 10: Best epic movies reviewed by Film Excess to date

Top 10: Best UK movies reviewed by Film Excess to date 

The Bridge on the River Kwai (1957) - One of the greats 

Great Expectations (1946) - Lean's first Dickens adaptation is pure cinema magic 

 

 

Watch a trailer for the film here

 

Cost: 240k £, approximately 967k $

Box office: In excess of 3.2 mil. $

= Big hit (projected return of 3.61 times its cost)

[In Which We Serve was released 17 September (UK) and runs 115 minutes. Shooting took place from February - June 1942 in England. Different sources dupe the film the year's most popular at the UK box office, or the second most popular. It reportedly grossed 300k £ in the Commonwealth, approximately 1.212 mil. $, and 2 mil. $ in rentals in North America, where it was also a big hit. With a cautious projected final gross of 3.5 mil. $, the film would rank as a big hit. The film was nominated for 2 Oscars: Best Picture, lost to Casablanca, and Original Screenplay, lost to Norman Krasna for Princess O'Rourke. Coward won an honorary Oscar for the film, which also won 4 National Board of Review awards. Coward did not direct a feature again but instead racked in credits as a producer, composer, writer and actor. Lean returned with This Happy Breed (1944). As an actor Coward returned with uncredited voice performances in Blithe Spirit (1945) and Brief Encounter (1945) and finally with a physical performance in The Astonished Heart (1950). In Which We Serve is fresh at 90 % with a 7.90/10 critical average at Rotten Tomatoes.]

 

What do you think of In Which We Serve

12/28/2024

2024 in films - according to Film Excess

The Top 6 of the Year

 

 

1. Rom - Niclas Bendixen + Best Danish Movie of the Year + Best Romcom of the Year + Best Rome Movie of the Year

 


2.
The Apprentice - Ali Abbasi + Best Biopic of the Year + Breakthrough of the Year: Sebastian Stan + Best New York Movie of the Year



3. Horizon: An American Saga - Chapter 1 - Kevin Costner + Best Arizona Movie of the Year + Best Epic of the Year + Best Western of the Year

 


4.
Gladiator II - Ridley Scott + Best Action Adventure of the Year 

 


5. The Beekeeper - David Ayer + Best Revenge Movie of the Year


6. Vogter - Gustav Möller + Best Prison Movie of the Year


The Bottom 3 of the Year



1. Mørkeland - Mikkel Serup

 


2. Jagtsæson 2 - I Medgang og Modgang - Peter Molde-Amelung 

 


3. Longlegs - Osgood Perkins + Most Overrated Movie of the Year


[9 titles in total]


Notes:


The first edition of the lists of 2024 in films are based on a very small batch of reviewed titles and is therefore bound to likely completely change in future updates.

The best reviewed film of the year is Niclas Bendixen's funny and wise marriage-analyzing romcom Rom. Silver goes to Ali Abbasi's unflattering Trump biopic The Apprentice; and bronze to Kevin Costner's ill-fated western epic Horizon: An American Saga - Chapter 1. The list goes on with Ridley Scott's tunic escapade Gladiator II; David Ayer's exploitation revenge actioner The Beekeeper; and with Gustav Möller's prison drama Vogter rounding off the list. 

The worst film of the year found so far is Mikkel Serup's nonsensical political thriller Mørkeland; with Peter Molde-Amelung's harebrained crude comedy sequel Jagtsæson 2 - I Medgang og Modgang taking silver, and Osgood Perkins' overly celebrated satanical horror Longlegs bronze.

Many more movies and TV-series will follow in future updates.

 

2024 titles currently on the watch-list:

Never Let Go, Bird, Kung Fu Panda 4, Monsters - season 2, Furiosa: A Mad Max Saga, Kingdom of the Planet of the Apes, The End, Hard Truths, Civil War, Horizon: An American Saga - Chapter 2, Terrifier 3, MaXXXine, Nosferatu, Nightbitch, Queer, I'm Still Here, Beauty Is Not a Sin, The Thicket, How to Make Millions Before Grandma Dies, Modi: Three Days on the Wing of Madness, The Brutalist, Saturday Night, Smile 2, We Live in Time

 

Previous annual lists: 

    
2023 in films - according to Film Excess 

2022 in films - according to Film Excess 

2021 in films - according to Film Excess 

2020 in films - according to Film Excess 

2019 in films - according to Film Excess [UPDATED I] 

2019 in films - according to Film Excess 
2018 in films - according to Film Excess [UPDATED I]
2018 in films - according to Film Excess  
2017 in films - according to Film Excess [UPDATED I]
2017 in films - according to Film Excess

2016 in films - according to Film Excess [UPDATED III] 
2016 in films - according to Film Excess [UPDATED II]
2016 in films - according to Film Excess [UPDATED I] 
2016 in films - according to Film Excess

2015 in films and TV-series - according to Film Excess [UPDATED IV] 
2015 in films and TV-series - according to Film Excess [UPDATED III]
2015 in films and TV-series - according to Film Excess [UPDATED II] 
2015 in films and TV-series - according to Film Excess [UPDATED I]
2015 in films and TV-series - according to Film Excess  

2014 in films and TV-series - according to Film Excess [UPDATED V] 
2014 in films and TV-series - according to Film Excess [UPDATED IV]
2014 in films and TV-series - according to Film Excess [UPDATED III]
2014 in films and TV-series - according to Film Excess [UPDATED II] 
2014 in films and TV-series - according to Film Excess [UPDATED I]
2014 in films - according to Film Excess

2013 in films and TV-series - according to Film Excess [UPDATED VI] 
2013 in films - according to Film Excess [UPDATED V]
2013 in films - according to Film Excess [UPDATED IV]
2013 in films - according to Film Excess [UPDATED III]
2013 in films - according to Film Excess [UPDATED II]
2013 in films - according to Film Excess [UPDATED I] 
2013 in films - according to Film Excess    

2012 in films and TV-series - according to Film Excess [UPDATED V] 
2012 in films and TV-series - according to Film Excess [UPDATED IV]
2012 in films and TV-series - according to Film Excess [UPDATED III]
2012 in films and TV-series - according to Film Excess [UPDATED II]
2012 in films - according to Film Excess [UPDATED I]
2012 in films - according to Film Excess
2011 in films and TV-series - according to Film Excess [UPDATED III]
2011 in films and TV-series - according to Film Excess [UPDATED II]
2011 in films and TV-series - according to Film Excess [UPDATED I]
2011 in films - according to Film Excess

2010 in films and TV-series - according to Film Excess [UPDATED III]
2010 in films and TV-series - according to Film Excess [UPDATED II]
2010 in films and TV-series - according to Film Excess [UPDATED I]
2010 in films and TV-series - according to Film Excess  

2009 in films and TV-series - according to Film Excess [UPDATED IV] 
2009 in films and TV-series - according to Film Excess [UPDATED III]
2009 in films and TV-series - according to Film Excess [UPDATED II]
2009 in films and TV-series - according to Film Excess [UPDATED I]
2009 in films and TV-series - according to Film Excess   

2008 in films and TV-series - according to Film Excess [UPDATED III] 

2008 in films and TV-series - according to Film Excess [UPDATED II] 
2008 in films - according to Film Excess [UPDATED I]
2008 in films - according to Film Excess
2007 in films and TV-series - according to Film Excess [UPDATED II]
2007 in films - according to Film Excess [UPDATED I]
2007 in films - according to Film Excess

2006 in films and TV-series - according to Film Excess [UPDATED III] 

2006 in films and TV-series - according to Film Excess [UPDATED II] 
2006 in films and TV-series - according to Film Excess [UPDATED I]
2006 in films and TV-series - according to Film Excess   

2005 in films and TV-series - according to Film Excess [UPDATED I] 
2005 in films and TV-series - according to Film Excess  

2004 in films and TV-series - according to Film Excess [UPDATED I] 
2004 in films and TV-series - according to Film Excess

2003 in films and TV-series - according to Film Excess [UPDATED II] 

2003 in films and TV-series - according to Film Excess [UPDATED I] 
2003 in films and TV-series - according to Film Excess 

2002 in films and TV-series - according to Film Excess [UPDATED I] 
2002 in films and TV-series - according to Film Excess 

2001 in films and TV-series - according to Film Excess 

2000 in films and TV-series - according to Film Excess

1999 in films and TV-series - according to Film Excess  

1998 in films and TV-series - according to Film Excess 

1997 in films and TV-series - according to Film Excess 

1996 in films and TV-series - according to Film Excess 

1995 in films and TV-series - according to Film Excess
1994 in films and TV-series - according to Film Excess 

1993 in films and TV-series - according to Film Excess

1992 in films - according to Film Excess

1991 in films and TV-series - according to Film Excess

1990 in films and TV-series - according to Film Excess   

 

What do you think of the 2024 lists?
What movies of the year would make it to your Top and Bottom 10 lists?
What essential title/s are missing on the watch-list?

Eagerly anticipating this week ... (17-24)

Eagerly anticipating this week ... (17-24)
Johnny Depp's Modi: Three Days on the Wing of Madness (2024)